Two poems that center around death in some way or another. I bet that makes you really excited to read them now. Anyway, I hope you enjoy them nonetheless :)
Death by the Blade
Even in dreams you can be stabbed; I’ve known it:
the cold dagger sliding into your breast from
a person at the door; the anger different than
the blade, less solid than a statue, yet larger
than the house, or the tree that shrouds it.
But the anger also is the blade, hidden inside
a dusty cloak, as suddenly revealed as it is buried
inside your tired heart. There is a shock deep
within the cycles of sleep, a wound that kills you
once, before the dream repeats.
The scenarios vary, but you cannot stay
dead for long; there is a motive to fulfill,
a belief to share, a reason for their hatred and
your many deaths. Your mind begins to learn who
to trust, where to speak, and when to flee.
Too bad we don’t remember these warnings.
The dream doesn’t leave behind photographs,
only watercolors stirring in the memory that
recall the sting, the inability to escape, and
the betrayal felt. But more often I fear the details I
can’t remember: the wielders of the blades.
A man or a woman, young or old, stranger or
friend. I watch them all now; I sense the daggers close
to their skin, a guard against threat. I recognize also
the weapon beside my own heart and resolve to
throw it away, or surely life will be lost.
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Earthquakes
Perhaps there was an unjostling of the heart
that I didn’t notice.
Then, I was waiting to be served,
my mind in a book, the book in my hand,
the hand relaxed on the edge of an old table;
the table may or may not have moved.
The waiter asked if I had felt it,
the echoes of the Virginia earthquake,
200 miles away, past plains, rivers and mountains,
or so I imagined. He told me
of the boxes shaking in the back room,
though nothing spilled: no broken
bottles to clean up or
fires to put out;
though closer to the seismic center, there were
cracked buildings with
split pipes, water and gas spraying
into the street,
and real people.
But we didn’t mention it, couldn’t fathom it;
we forgot it,
and laughed about our lost
chance to experience
an earthquake.
Nearby, another customer was still reading,
unaware and absorbed in a letter
from a place I don’t know,
a place I can’t even imagine,
a place that doesn't exist.
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Both of these poems are, in fact, based off of personal experience. The first was really a dream where I was going around talking to people (as if I were still on my mission) and people would stab me and it hurt. And then it started over again with a slightly different set up and each time the me in the dream got smarter and more ready to combat or escape from my assailants. It was a pretty weird dream; I'm not going to lie. So anyway, the next day I kept on thinking about the dream as I was walking around and decided it would make a pretty good poem, and I think it did (I like it, at least).
The second poem was based on the earthquake that just happened in Virginia. I was actually sitting in the Apple Store, not a restaurant, (the former would be a little hard to explain in a poem) but I was reading a book and I didn't notice the earthquake; nor did the Apple Store guy who attended me. He mentioned how it was the second time he'd missed an earthquake (the first time he had been sleeping) and he joked about it a little. Only later, as I thought about it, I realized how lightly we take events like this sometimes, as if, because a disaster happened far away to a place we don't really know, it's almost like it doesn't exist and the pain isn't real. Therefore, that's the kind of idea that I was trying to work into the poem.
Hopefully something got across from either or both of these poems. Thanks for reading!
Hi Carey! Loved the poems! Some comments:
ReplyDeleteFirst of all, I just finished my own poem about being cut in a dream, BEFORE I read yours! *weird*
Secondly, one small grammar thing: "only watercolors stirring in the memory that
recall the sting" -- should be "recalls" and not"recall" since you are referring to the memory, which is singular. Something small but an throw people off.
Thirdly, I think I would like the Earthquake poem better if you didn't reference Virginia specifically. An earthquake can symbolize any number of things (like the first poem), so if you refernce Virginia it prevents the reader from imagining their own earthquake. Also, I don't believe the earthquake in Virginia had many deaths? Anyway, I think the reference is distracting.
All in all, I think these are really successful poems. They are so powerful in the beginning and end, I wish the endings were somehow more powerful--both of the endings are kind of anticlimatic (I am talking about words and rhythm here, not necessarily ideas and concepts) --any way to create the endings with more of a "punch"?
Just my thoughts,
Love you!