"... even as the sun folds its shadow across the earth..."

Thursday, January 31, 2013

The Humble Life


The Humble Life

History,
who writes it?

Not the farmer tilling
his thoughts at 5am,
letting the air of morning
seep between dreams
and the day to come.
No, he has mouths to feed:
hay for the horses,
grass for the cows,
a leftover carrot for his son.
Milk doesn’t flow on its own,
but through the dexterous rhythms
that practiced fingers play.
He scatters piles of seeds behind him,
hoping a few ears will grow.
He bends the water down the rows
dug beneath the relentless sun.
And if fruit yields, then he sings
and eats little, and plants more.

Where are the feathers for a quill?
On the chickens or in his pillows.
The ink he has to dip from
is as deep as his daily routine:
viscous, dark, and tough to remove,
a struggle even if it brings him joy.
He may write, but with his hands
and for the families he can touch
And he may speak, but his words,
like his efforts, take years to sprout.

So then, history,
who writes you?

While a learned man, twirling
a pen in one hand and time in the other,
types out the grievances of the past,
or the way old values are like rags
soaked and smelling of oil
ready to be burned
on the torch of progress,

while he cycles through tragedy and comedy,
like newly released plays
and mourns with one actor
and laughs at the next,

while the rich man pays no price
for publicity, but a smile,
and claims to be a savior
to far-off unseen lands,

while we listen to the news
and sift the truth with our shaking
and careful shucking of lies
or not, as we may in our idle stupor,

even now, as in ages past,
it is not wind trudging through
the corn fields and rice patties,
but men and women
who cover their heads for protection,
who sense the weather in their knees,
who know the weight of the seasons
because they carry on their shoulders
the silence of their ancestors,
too busy to speak to a deaf world
of their hard-fought happiness.


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While I was driving home tonight, I got to thinking about how history is written. In many books and stories that I go through, a plot device I have often seen again and again is that of a supposed history: a history that the main characters and the readers take for granted only to discover later that through slow and careful change by those in power, those with pride or lack of courage or ill intentions, important truths were covered up. I believe that to be the case today - we don't know the whole truth from the version of history we get today. That being said, I think some important snippets of information remain, enough to provide some wisdom for those who search. For instance, history has cycles. It has been said that those who do not learn from history are doomed to repeat it. I often think about how each new generation is quick to dismiss the old as if it wasn't accumulated from thousands of years of learning, as if now suddenly, and only now, the truth has suddenly been learned. In general, I would say that those with titles, power, and pelf have been the types to write history, or re-write it according to their rebellion of choice. Nowadays it is popular to be a rebel against the traditions and thinking of the past and I imagine it has been so for a long time. On the other hand, in general I would say that the humble good people in this day and age, and likely throughout history, have also tended to be the least likely to stand up and shout. I believe there's much to learn from the ways of the past.  Not that there aren't examples of righteous and powerful leaders, but they are fewer than we would like. That is, in essence, what this poem is about.

Monday, January 28, 2013

Review: The Mark of Athena

Well, there's a 2-hour delay to school starting today for me, so, considering I just read a book in the last couple days, I figured I'd go ahead and review it.

The Mark of Athena
Rick Riordan

What can I say without spoiling the series? Not much. Should I write a summary anyway? I'll just copy what the book has to say for itself:

"Annabeth is terrified. Just when she’s about to be reunited with Percy—after six months of being apart, thanks to Hera—it looks like Camp Jupiter is preparing for war. As Annabeth and her friends Jason, Piper, and Leo fly in on the Argo II, she can’t blame the Roman demigods for thinking the ship is a Greek weapon. With its steaming bronze dragon masthead, Leo’s fantastical creation doesn’t appear friendly. Annabeth hopes that the sight of their praetor Jason on deck will reassure the Romans that the visitors from Camp Half-Blood are coming in peace.

And that’s only one of her worries. In her pocket Annabeth carries a gift from her mother that came with an unnerving demand: Follow the Mark of Athena. Avenge me. Annabeth already feels weighed down by the prophecy that will send seven demigods on a quest to find—and close— the Doors of Death. What more does Athena want from her?

Annabeth’s biggest fear, though, is that Percy might have changed. What if he’s now attached to Roman ways? Does he still need his old friends? As the daughter of the goddess of war and wisdom, Annabeth knows she was born to be a leader, but never again does she want to be without Seaweed Brain by her side.

Narrated by four different demigods, The Mark of Athena is an unforgettable journey across land and sea to Rome, where important discoveries, surprising sacrifices, and unspeakable horrors await. Climb aboard the Argo II, if you dare. . . ."

For those unfamiliar with the Percy Jackson series, it is a children's series (Percy starts at 12 and grows a year in most, but not all of the books) that mixes greek mythology with the modern world. It is full of pop culture references and jokes to make you laugh while at the same time being largely character driven to get you to feel for the characters. The first 5 books constitute one complete series and I have just finished reading the 3rd book, The Mark of Athena, in the next 5-book series (which also adds Roman mythology to the mix).

This series isn't only focused on Percy anymore, a truth shown by the switching narrators and this book, out of all the books, has a slightly different feel from the rest, in a good way. I mentioned before how the series is largely character driven because, although the plot is good and exciting, it is also largely unpredictable (chapter to chapter, not from beginning to end) (due to gods and possible myths being almost unpredictable). That being said, the plot here seems slightly less unpredictable and the characters are emphasized even more to great effect. It was a joy reading through this book.

Now, the trouble with me reviewing just one book in the middle of a series is that I don't want to recommend just this book, I want to recommend the whole series starting with "The Lightning Thief." It's pretty safe to say that your opinion of that book will likely be your opinion of the series.

Here's why you and your children should read these books:

1. They are page-turners - you and and your children will devour these books, all of them, in a short amount of time. I generally managed one per day with the first series and one per couple of days with this new series. If you want to read or you want your kids to read, these work.

2. The values contained in these books are good. You're not going to find anything offensive in these books. And what's more, the characters have great characteristics that really shine, while still acknowledging their faults and striving to improve. Mercy, Justice, Forgiveness, Trust, Loyalty, Courage, and more you'll find here.

3. These books teach history and mythology at the same time. I mentioned before that the plot is slightly unpredictable from chapter to chapter; this is because Riordan seeks to introduce the characters (and you) to as many myths as he logically can. He makes you realize how connected the modern world is to the past.

In short, yes I recommend "The Mark of Athena," which I just read, but I really just recommend the series. If you've already read most of the series and have specific questions, ask away.

Monday, January 21, 2013

Review: Moon Over Manifest

This one's a winner.

No, seriously, it won the Newbery Medal, and what's more, it won a place in my heart.

This is a story of a girl named Abilene who is sent to live in Manifest for the summer, the town that her father spent some time in when he was a little older than her. She feels abandoned, but she hopes to maybe learn more about who her father was while she's there. At first it seems like a worn-out town that has no details for he of her father's past, but soon she fines something else of interest: a hidden cigar box full of mementos and old letters that talk of a spy. Soon she heads down the mysterious "Path to Perdition" to pay a debt to the strange Miss Sadie who begins to tell her stories of the past, a past, it seems, that holds many secrets.

My quick description, largely taken from the back of the book, doesn't do the book justice. The characters pull you into the story and hold you there until the end. This book is successful because it makes you care about the characters, something I have always touted as the mark of a truly good book. And the plot itself is engaging, twisting, and satisfying. The book weaves multiple narratives that the reader must follow, and wants to follow.

This book deals with perspective and judgement. Not all is as it appears and Abilene, though she knows many things, also has a lot of learning to do. And we learn with her. The people around her aren't flat; they are complex individuals. Judgements we may make of individuals or events are certain to change as we learn more about them.

What age range would I give this? I don't know. Abilene is 12, but places I've checked say it's for ages 8 and up. Certainly I would want your child to be old enough to where you could talk with them about death, prejudice, and alcohol (the setting is 1918 - 1936, WWI, KKK, and Prohibition Era). But these shouldn't deter an adult from reading this book and it is a book of such worth that I would hope, if you have children, that you would find the time to read this book with them and talk about it. You know your child and what they are capable of understanding. There is much to be learned here on many subjects. It is also good to help your child understand complex multiple narratives.

This book is a definite recommend to anyone who enjoys reading anything. In my mind the best books have incredible writing, complex, interesting, and mainly likable characters, and a deep well-thought-out plot. And this book has it all.

Friday, January 18, 2013

The Canyon


The Canyon

Today I remembered my grandmother
is dead and how much time I’ve spent
scratching black into paper, scuffing
black shoes on the roads I travel. I’m always
a line of footsteps from the edge of an abyss.
My grandmother in her youth, hunched
over dirt excavations in southern Greece
and peered back through time to where
bones carried flesh, armor, and spears
as soldiers defending homes against death.
In her last years also at the wide white rim
of her bedside she noticed the drop down
to the ancient weavings of a crimson rug
and fought to keep her weight from slipping.

I once found myself at the Grand Canyon
at the end of a rock trail that stretched out
like any broken bridge: leaning into the air
as if it had wings. I wanted to stand by something
more steady than myself as I stared into the crags
searching for the river that cut these chasms.
The depths stared back at me, stubborn cliffs
and shadows feeling their way out. How long
can this go on, carving notches like a knife?
My shoes scraped closer and I stepped back,
but watched the slope of the valley slide
deeper into a rift I couldn’t see, couldn’t hear.
I didn’t descend there then, but I can’t forget
the way even dust seemed to tumble down.

Yet I also recall looking across from the edge
and seeing the shadows of clouds grazing
green plains, peacefully tugging at my waist
to cross over with them to the other side.
It’s difficult to last. These words, this ink
is like the bouquet of lilies today laid graveside
and tomorrow wilted. What is there to fear?
My fingers that have pressed the pen for hours
retain its shape like a worn old mattress
after a body is removed. My grandmother
loved to struggle up mountains, but for me
the coming down is hard, easy to stumble
or run too quick. Better to be careful
where I place my feet, my hands, my eyes.

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I haven't posted a poem in a while, I've definitely been writing away. I wrote this about a month ago and I wasn't sure if it was good or not so I left it a while and came back to it today to discover that I did like it after all. Death is a very common topic in poetry, but it is so because of how much it affects us and continues to affect us. Even when someone passes on, we can't help but remember them and that recollections shapes us continually. So anyway, I hope you enjoy this poem and, as always, please let me know what you think.

Friday, January 4, 2013

Review: Elantris

It's a new year and I've already finished my first book! Woohoo! It always feels like if I don't start reading early on in the year it'll never happen. Believe it or not, last year I got a late start on things. This year since I'm starting my reviews already I shouldn't get back-logged - each book will be reviewed pretty soon after I read it, unless of course it's part of a series to which I have all the books, in which case I'll review the series all together, as I did the year before. Anyway, without further ado:

Elantris
Brandon Sanderson

As a backdrop to the story, once the city Elantris was home to citizens who were so incredible they were thought to be gods, until 10 years ago when their blessing turned into a curse and the great city became a place of the damned.
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The story switches between three main characters: Raoden, Sarene, and Hrathen.
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Raoden is the prince of the Kingdom of Arelon in the city Kae next to Elantris who wakes up to find that the curse of Elantris has come upon him and he is cast into the city. What awaits him there? Can he turn his curse into a blessing?
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Sarene is the princess of a country across the sea who was engaged to Raoden without having met him. But when she arrives, she is told the prince is dead. As she tries to discover what really happened, she must also prevent the downfall of the Kingdom.
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Hrathen is a high priest of Fjordell determined to convert the Kingdom of Arelon in order to bring them into the Empire, but at what cost to the people? And to what lengths is he willing to go to accomplish his goal?

The style of multiple viewpoints shines more the further you get into the novel. At first it is slightly hard because they don't always intersect and at times it felt like reading three stories that happened to be in the same vicinity. However, as they intersect more and more throughout the novel, the whole story gains momentum and is hard to put down. That being said, it's a large novel (~600 pages), so you have to be willing to push slightly at the start. Each viewpoint is interesting, but it does slow the pace a little to have to switch around so much.

It's almost hard to believe that this was Sanderson's first novel - it's pretty incredible in its complexity of world, plot, and character. The world and its magic system are all fresh and created by the author It takes a little while before is plays an obvious role and it isn't fully understood by even the main characters at first, but it's purpose and abilities appear to be well defined and are definitely important to the story. The plot has several twists and turns that will surprise you, but ultimately leave you satisfied. As I said before, it takes a little bit to get into it because it feels like you are constantly switching plot-threads at first, but by and by you see them coming together and it draws you in. And the characters really shine. Sanderson has a way of creating complex characters who have their share of strengths and weaknesses. Even Hrathen, who at first comes across as arrogant and evil, becomes an interesting character that is neither black nor white.

If I had to compare it to the Mistborn Trilogy (same author), I'd have to say Mistborn is better due to it being slightly less dense in its new language and also because it packs a little more of an emotional punch. But I'm really just comparing incredible with more-incredible. So far as I've read, Sanderson is an exceptional writer and I look forward to reading more from him. And boy do I have a lot ahead of me...

Anyway, if you love fantasy or if you're even okay with fantasy and enjoy a solid plot with solid characters, I highly recommend this book to you.