"... even as the sun folds its shadow across the earth..."

Monday, October 31, 2011

Autumn Red


This poem I wrote a few weeks ago and decided to revise it a bunch before posting it. So I hope you enjoy it. I'm not sure what else to comment on it except that I really like this one.

Autumn Red

Left for me, your strawberries
grew tongue-dark in the fridge.

I meant to eat them all cold,
seed rough, and juice ripe.

I meant to taste the small ones
quick-dipped in sugar.

But the same weekend you went, the hour
turned and shed like an autumn leaf, I left,

coming home harvest-moon nights later,
muscles warm, to find the bruised      

fruit huddled like winter orphans,
my mouth dry and red.

Monday, October 24, 2011

Coraddi Chop

Okay, so that pun was bad, but I couldn't resist. I'm just re-posting a poem I wrote earlier on this year that just now got accepted into UNCG's literary magazine The Coraddi. I'm excited; hope you enjoy!


I hear
a flutter of midnight ravens
and eyelids;
rain spits on the window
and moves on;
the end of the hallway
falls into darkness
with a dull thud;
the kitchen faucet leaks
above a tin sink;
a showerhead drop
drips onto tile;
in an unseen room
the floor creaks
beneath the weight
of an empty home.

Saturday, October 22, 2011

Blink Again!

This is a poem I wrote over the summer while my family was in Uganda. Not that this poem has anything to do with Uganda, it's just that I got almost zero response from it while my family is usually the only one to give me feedback. But I kept on feeling like there was something to it, so I took it in to my poetry friend and he really liked it, gave me some advice, and here I am reposting it after my edits. I think it's turned out pretty nicely. It's a little long, so I didn't post it with any other revisions. Enjoy!


A Story of Blinking
-inspired by a painting by my sister Madelene

After the home had grown
too old for the children,
the youngest of four returned to see how small
her room had become.

The bed lay tucked-in around the shadows.
The lamps were lost
in hazy sleep.
The stuffed animals watched
the intricacy of the wallpaper
not recognizing her
enough to turn their heads.
The curtains, drawn and faded,
could have belonged in a doll house.

Perhaps that’s what it had been.

A fairytale
like the ones that had leapt from the pages
into the midnight
beyond her attic windows,
the highest tower of her house.

Now the books slumped
against the scarce selection
on the bookshelf,
the memories she read too many times,
and some she never read.

She flips past the green
hardcover of one, the best one,
and remembers the small town beginning,
then return with elixir at the end.
In between, there was only an anxious tug
onward to the next page.

She herself is lost in that middle.

Her art hangs scattered on the walls,
acrylic paintings and oiled emotions
she forgot to take with her:

a hidden garden and an orchard.
She can smell the lavender perfume
and the maturing pear ready to plunge
down to a grounded world
within the dried paint.

A pencil sketch of her father reading,
an unframed canvas of her mother playing
the cello. The girl listens downstairs;
it is her favorite melody.

She hears the call to return
behind the varnished background
inside the painting.

And finally she discovers the last one, a small canvas
smeared with dusk
and words scratched into the powdered clouds
like faint stars:

Once upon a time in a far
away place

he climbed to the highest 
and she waited for him–

and the moral of the story is
you blink your eyes like maybe

I’ll disappear like a frog princess
if you blink fast enough–

and they lived happily ever
after

She closes her eyes and remembers herself
as she was when she filled the room,
flitting from moment to moment like a hummingbird,
gathering stories from snapdragons.

Her eyes reopen to a chalked sky. She leaves,
wishing it would rain, and descends
stairs that are steeper going down.

Saturday, October 15, 2011

Rainmaker


Hello all from Savannah, GA. I think my trip down will be a source of poetry for a while to come; it's been a good time. Here's just one poem that I've written, but I'm giving it in three forms because I felt like playing around with the space. The first form is the poem with some added space, the second is normal, and the third is just a different space renditioning. I like the first one better, but both are interesting. Basically, if there is no difference between the normal and ones with space, then I'll just leave it normal, but a part of me likes the interesting space because it slows down the poem, I feel. Let me know what you think or which one you like best!

Rainmaker

I make it rain
                                    inside
without dense clouds,
                                    glassy
eyes, or my crimson
                                     clock.

A wide mirror
                                    catches
the rattled beads of
                                    mist.
In the kitchen I burn
                                    water,
letting the bubbles
                                    surface;

and from that troubled
                                    pool
it’s simple to send
                                    warmth
out to the cold morning
                                    space.


---------------------------------------------------------------------

Rainmaker

I make it rain inside
without dense clouds, glassy
eyes, or my crimson clock.

A wide mirror catches
the rattled beads of mist.
In the kitchen I burn water,
letting the bubbles surface;

and from that troubled pool
it’s simple to send warmth
out to the cold morning space.


----------------------------------------------------------------------------------

Rainmaker

I make it
                         rain inside
without dense
                        clouds, glassy
eyes, or my
                        crimson clock.

A wide
                        mirror catches
the rattled
                        beads of mist.
In the kitchen I
                        burn water,
letting the
                        bubbles surface;

and from that
                        troubled pool
it’s simple to
                        send warmth
out to the cold
                        morning space.




Sunday, October 9, 2011

New Drafts

Sounds like an oxymoron, doesn't it? Yet that's what these are. I'm lucky enough to have some great people look over my poetry and help me improve it - my mom, my sisters, a poetry grad. student, and my poetry professor, who is also a poet. Each one gives me additional perspectives on ways in which I can improve my work. For them and for those who just love reading my poetry anyway, I am re-posting some old poetry in their new and improved (hopefully) state. To see the old ones, you'll just have to search the archives; it's not that hard to do. Enjoy!


The Earthquake

Perhaps there was a jostling of the heart
that I didn’t notice.

Then, while I waited to be served,
my mind in a book, the book in my hand,
the hand relaxed on the edge of an old table,
the table may or may not have moved.
The waiter asked if I had felt it,
the echoes of the earthquake,
200 miles away, past twisted rivers,
and battered mountains. He told me
boxes shook in the back room,
though nothing spilled: no broken
bottles to clean up or fires to put out,
though closer to the center,
buildings cracked, pipes split,
water and gas gushed
into a street muddled
with a mess of panicked people.

But we didn’t mention it, couldn’t fathom it;
we forgot it,
and laughed about my lost
chance to experience an earthquake.
Nearby, another calm customer still read,
unaware and absorbed in his bubble blue letter
from a place I don’t know,
a place I can’t even imagine,
a place that doesn’t exist.


-------------------------------------------------------------------------------------------------------


Death by Conviction

Even in dreams you can be stabbed; I’ve tasted it:
the cold dagger sliding into your breast
from a person at the door; the anger different than
the blade, less confined than steel, yet larger
than the house, or the trees that shroud it.

But the anger also is the blade, hidden inside
a dusty cloak, as suddenly revealed as it is buried
within your tired cage. The deep shock throbs
in cycles of sleep, a wound that kills you
once, and then the dream repeats.

Each time, you cannot stay
dead for long; there is a mission to fulfill,
God’s truth to share, the reason for their hatred and
your many deaths. Your mind begins to learn who
to trust, when to speak, and when to flee.

Awake we don’t recall these warnings.

The dream leaves no photographs,
only watercolors stirring in the memory that
recall a sting, a frustration to escape, and
a betrayal of faith. Of every detail lost, I fear
one: the face of the enemy.

A man or a woman, young or old, stranger or
familiar? I observe them all now; I sense knives close
to their skin, coiled against threat. I know also
the weapon beside my own heart and resolve to
melt it away, or lives will be lost.

-------------------------------------------------------------------------------------------------------



To Take Your Place

Your room drags me in: a vacuum, grasping my body
like a shaken child.

I see a bed to sleep in, shoes to walk in, and drawers to open,
all lit by the blue glow of the alarm clock
blinking on the floor.

When you left, all this remained untouched, tidy, anxious
for your return:

the unruffled bed, lines of shoes, and folded clothes
(as if obedience could make people
stay).

And I, standing in the midst of it, split
myself in two to take
your place.

I could wear your white hat to hide from the sun, your polo shirt
to protect my lungs.

Your work pants are covered in the dirt of trying
to build a life

away from the endless hallway in our apartment,
the locked doors, the cluttered corners

where my books lie half open beside my winter jacket,
another skin I shed.

If I could put on these remains, what would it be?
An armor? A disguise? A mockery?

I’m not older than the clothes given me
nor stronger than the wall I lean on.

Your voice won’t form in my throat;
it’s stuck deeper, within veins of memories
unable to bleed.

I can’t even cast your shadow,
taller than myself
and more whole than either of us.

I am heavier for trying to hold you in my mirror.


-------------------------------------------------------------------------------------------------------


“Only The Words Remain, Floating In The Air”

In the passageway of his home made of broken garage doors,
northern Mexico, on a ditched dirt road sloped off of Main Street,

his daughter, recovering from live wire shock, twitching at his legs,
he told me this of unkept promises, and I whispered it in my heart.

I imagined airplanes that never touch down, that circle
with whale shadows, that sweep through the saline sky,

and swim between the gathering clouds of more gray flights
and jets of smoke. It’s all I can do to hold my breath

when I’m a return passenger, stuck where air thickens inside.
But other marbled days I’m your childhood balloon man

who handed you the red and green ones at the fair.
Parents buy so many balloons; it’s not out of the blue

to hear that one more child has floated away,
clutching the thin strings of a rainbow cloud.

The wind shoves and some days I don’t come home either,
rocked in a silver current as cold as winter streams.

At times my feet pounded down a steep green hill,
but more often I forget the grit of dirt and the strike of gravity.

              And the words remain, floating in the air,
static charges waiting to connect, to return to earth.

This truth is as strange as the dark side of nature:
these clouds rising, the ensuing crash of rain and thunder,

the light flashing blackness, the explosive echo.
Across the world, lightning leaps the hollow chasm

between abandoned wires hung high in the dusty air
and where we stand, as proud as trees on a crimson plain.


-------------------------------------------------------------------------------------------------------

If you made it through all that, congrats to you! You win "awesome" points. Thanks for reading and, as always, let me know if you like something or if you don't and why. Or also, if you see a change I've made that you don't like, also let me know. Thanks!

Sunday, October 2, 2011

Before Roots

Before Roots

The old tree’s roots are stable; I wallow in its shadow-leaf pool
for seven short minutes, head perched silent on the sloped bark,
arms nestled in sparse grass, legs root-like in shallow arcs,
en route to higher learning.
                                                        Though in truth I rose one mid-fall
to that thin treetop and felt the tender tip – the youngest branch –
now I neither climb, nor anchor an excuse not to move.


------------------------------------------------

I was lying underneath a tree on my college campus for several minutes in between appointments and I was remembering how it had been so long since I had climbed a tree and regretting it and I was wanting to not move and also thinking about a poem I'd read recently which starts with "The hook links to whatever's stable and in between all that I began to formulate the idea for this poem. That was one heck of a long sentence, but yeah, that's the way it goes.